Faculty Information - HUNG Yu Ting

■ Education

1.

〔Doctorial Course〕, Western Sydney University, Completed, PhD

■ Message

Welcome to the treasure island!
Be a dreamer, so that the world will be more beautiful.
Then, be a fighter, and make your dreams come true.
Enjoy your journey at APU!

■ Current specialized field

Chinese literature, Foreign language education, Area studies, Gender studies, Tertiary education, Aesthetics and art studies (Key Word：The application of cultural studies in Chinese language classroom, Cultural studies, Orientalism, Gender studies, Film aesthetics, Post-colonialism (with a focus on Asian cinema))

■ Books and theses

1.	2017/11	Article	“How Does Hou Hsiao-hsien Engage with Popular Memory? National Allegory, Language and Family Story in Good Men, Good Women (Hou Hsiao-hsien, 1995)” Asian Cinema 28(2),pp.117-138 (Single)
2.	2014/07	Article	“Are Women Included in History? The Debate of Micro-history and Macro-history in Hou Hsiao-hsien’s Film, A City of Sadness” Asian Cinema, Special Edition on Taiwanese Cinema 25(1),pp.49-70 (Single)
3.	2013/01	Book	“A Nation of Sadness? A Study of History, Culture, and Gender in Hou Hsiao-hsien’s Film, 'A City of Sadness’” (Single)
4.	2012/01	Article	“Entangled Love and Hatred? Reading Post-Colonialism through the Cinematic Text of Good Men, Good Women (Hou Hsiao-hsien, Taiwan, 1995)” (Single)
5.	2010/01	Article	“Don’t Judge a Book by Its Cover? Does Interior Space and Landscape Mean More Than It Appears in Hou Hsiao-hsien’s Cinematic Texts” (Single)
6.	2009/08	Book	Rain (After Rain Studio, 2009) (Collaboration)
7.	2009/06	Article	“Don’t Judge a Book by Its Cover? Does Interior Space Mean More Than It Appears in Hou Hsiao-hsien’s A Time for Love in Three Times (2005)?” (Single)
8.	2008/01	Article	“Can Women Really Enter History? Reading Gender Issues in Hou Hsiao-hsien’s A City of Sadness (1989)” (Single)
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■ Academic or professional association memberships

1.	2013/04～	Chinese Studies Association of Australia
2.	2009/06～	North American Taiwan Studies Association

■ Conference presentations

1.	2024/05	"Interaction with Multimodal Resources in An Introductory Chinese Class" (The Sixth APLJ Symposium)
2.	2023/12	"Seeking for Japaneseness in Taiwanese Cinema and vice versa. From the example of Cape No. 7 (Wei Te-sheng, 2008) and You Are the Apple of My Eye (Giddens Ko, 2011; Hasegawa Yasuo, 2018)" (Asia Pacific Conference 2023: Shaping a New World from Asia Pacific)
3.	2023/01	Reform of Chinese language education for the implementation of the new curriculum and an attempt at a new collaborative method of "teaching-learning" (Ritsumeikan Asia Pacific University, CLE Review)
4.	2023/01	“Challenges and Possibilities in Chinese Language Education: the Application of Cultural Studies in Chinese 4 Language Classroom” (Ritsumeikan Asia Pacific University, CLE Review)
5.	2022/12	"Our Collective Memory Matters? Reading Pluralingualism and Nostalgic Pop Culture Influence on Taiwan from Our Times (Frankie Chen, 2015)" (The 20th Asia Pacific Conference at Ristumeikan Asia Pacific University)
6.	2022/07	"Her Body, Her Story, but Our History: Revisiting Hiroshima Mon Amour (Alain Resnais, 1959)? The Formation of Trans-imageity in Good Men, Good Women (Hou Hsiao-hsien, 1995)" (Asian Studies Conference Japan (ASCJ, Japan))
7.	2022/05	"The Reflection on the Utilization of Orientalism in Chinese Language Classroom in APU from a Case Study" (The Fourth APLJ Symposium)
8.	2022/03	"To Seek for Little Happiness (小确幸：xiǎo què xìng) in Online Classes? The Challenges and Possibilities in Chinese Beginner Course" (Ritsumeikan Asia Pacific University, CLE Review)
9.	2021/12	"The Engagement of Popular Memory in Taiwan: Reading Plurilingualism in Good Men, Good Women (Hou Hsiao-hsien, 1995) and Kano (Ma Chih-hsiang, 2014)" (The 19th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
10.	2021/05	"How to Utilize the Theory of Third Place (Kramsch 1993) in Chinese Language Classroom at APU" (The Third APLJ Symposium)
11.	2020/12	"The Utilization of Short Films for the Online Chinese Language Classroom: Creating the Chinese Class as a Community of Practice" (The Second APLJ Symposium)
12.	2020/11	"The Transnational Cultural and Historical Space in Taiwan: From Loveable You (Hou Hsiao-hsien, 1981) to The Assassin (Hou Hsiao-hsien, 2015) " (The 18th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
13.	2019/12	"Rethinking Healthy Realism Films in the 1960s from Hou Hsiao-hsien’s film, Electric Princess House (2007)" (The 17th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
14.	2019/11	"How to Utilize Cultural Studies Knowledge in Chinese Language Teaching at APU" (The 17th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
15.	2019/07	“Her Fidelity, Her Memory, Her Story, but Our History: Hiroshima Mon Amour (Alain Resnais, 1959) Revisited? The Formation of Trans-imageity in Good Man Good Women (Hou Hsiao-hsien, 1995)” (AAS-in-Asia 2019: Asia on the Rise? at Thammasat University)
16.	2019/05	“Finding a Nexus between Film Studies and Chinese Language Teaching: Jie di qi (接地气：Down to earth) to Students at APU’s Introductory Chinese Class is the Key” (The First APLJ Symposium: Enriching Language Education through Collaboration at Ritsumeikan Asia Pacific University)
17.	2018/12	“Space, Landscape, and Indirectness in The Puppetmaster (Hou Hsiao-hsien, 1993) and Three Times (Hou Hsiao-hsien, 2005)” (The 16th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
18.	2017/11	"A Special Greeting to Our Seventeen Years Old-A Reading of Public Memory, Gender and Modernization" (The 15th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
19.	2016/11	“Who is more ‘Ozu’? A Reading of Café Lumiere (Hou Hsiao-hsien, 2003) and Tokyo Family (Yamada Yoji, 2013)” (The 14th Asia Pacific Conference at Ritsumeikan Asia Pacific University)
20.	2014/07	“How Does Hou Hsiao-hsien Engage Popular Memory? Nationalism, Language and Film Shots in Good Men, Good Women” (Asian Studies Association of Australia (ASAA) 2014 Conference at the University of Western Australia)
21.	2013/11	“The Transitional Cultural and Historical Space in Taiwan: From the Sandwich Man (1983) to Nie Yin Niang (2015)” (2013 New Zealand Asian Studies Society (NZASIA) Biennial International Conference)
22.	2012/09	“Micro-history vs. Macro-history in Hou Hsiao-hsien’s A City of Sadness (1989) and Good Men, Good Women (1995)” (2012 Annual Postgraduate Symposium in the School of the Arts and Media at the University of New South Wales, AUSTRALIA)
23.	2012/06	“The Indirect Accusation of Taiwanese Government’s Intervention on Media and People’s Life in Hou Hsiao-hsien’s film, Electric Princess House (2007)” (2012 Annual Postgraduate Students Conference in the School of Humanities and Communication Arts at the University of Western Sydney)
24.	2011/11	“Entangled Love and Hatred? Reading Post-colonialism through the Cinematic Texts of Beneath Clouds (Ivan Sen, AUSTRALIA, 2002) and Good Men, Good Women (Hou Hsiao-hsien, TAIWAN, 1995)” (2011 Annual Conference in Cultural Studies Association of Australasia (CSAA))
25.	2010/01	“Don’t Judge a Book by Its Cover? Does Interior Space and Landscape Mean More Than It Appears in Hou Hsiao-hsien’s Cinematic Texts” (Annual Conference in the College of Arts, the University of Western Sydney)
26.	2009/06	“Don’t Judge a Book by Its Cover? Does Interior Space Mean More Than It Appears in Hou Hsiao-hsien’s A Time for Love in Three Times (2005)?” (The 15th Annual North American Taiwan Studies Conference)
27.	2008/01	“Can Women Really Enter History? Reading Gender Issues in Hou Hsiao-hsien’s A City of Sadness (1989)” (The 6th Annual Hawaii International Conference on Arts and Humanities)
28.	2007/10	“The Terror of Memories in Hiroshima Mon Amour (Alain Resnais, France, 1959) and Good Men, Good Women (Hou Hsiao-hsien, Taiwan, 1995)” (Annual UNSW EMPA Postgraduate Symposium: Hauntings: Spectres, Spectrality and Spectatorship)
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■ Works

1.	2022/07	Introduction of Chinese Language (JALT Oita)
2.	2019/03	Swing Among Literature Training, Film Studies and Chinese Language Teaching (National Chung Cheng University, Chiayi, TAIWAN)
3.	2014/09	Are Women Included in History? The Debate of Micro-history and Macro-history in Hou Hsiao-hsien’s Film, A City of Sadness (National Cheng Chi University, Taipei, TAIWAN)
4.	2009/05	Taiwanese Cinema in Asian Cinema Course (The University of Western Sydney, Sydney, AUSTRALIA)

■ Awards and honors

1.	2024/07	Ritsumeikan Asia Pacific University 2023 Special Award (CLE Director's Award) (Speech Coaching for Students Participating in Chinese Speech Contests)
2.	2024/07	Ritsumeikan Asia Pacific University 2023 Special Award (CLE Director's Award) (Development and editing of course packs for Chinese II, III (A, B), and GL (Chinese A, B))
3.	2023/07	Ritsumeikan Asia Pacific University 2022 Faculty Assessment: Award in the Field of Teaching
4.	2021/07	Ritsumeikan Asia Pacific University 2020 Faculty Assessment: Award in the Field of Teaching
5.	2009/01	Western Sydney University, AUSTRALIA Western Sydney University Postgraduate Research Award (Full Scholarship Recipient)
6.	2009/01	Western Sydney University, AUSTRALIA Western Sydney University Top-Up Award
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■ Educational ability

● Made textbook and teaching material
1.	2023/03～	Global Learning (Chinese A)
2.	2023/03～	Global Learning (Chinese B)
3.	2022/09～	Chinese III A Coursepack
4.	2022/09～	Chinese III B Coursepack
5.	2022/02～2024/02	Chinese II Teaching Material
6.	2022/02～	Chinese II　Coursepack
7.	2021/12～	Chinese I Coursepack
● Matter that should be mentioned specially in others educational activity
1.	2023/08/08～2023/09/04	Chinese Immersion Program in National Cheng-Chi University (Taiwan)
2.	2022/08/09～2022/08/10	Language Explorer Camp
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■ Professional contribution to Society

1.	2023/12～2023/12	Session Chair for Media and Culture (Cinema)
2.	2020/11～2020/11	Session Chair for Panel Session: Humanities (1)
3.	2017/11～2017/11	Session Chair for Panel Session: Cultural Landscapes and Media
4.	2017/08～2017/08	International Cultural Understanding Classroom: Australia Session
5.	2017/06～2017/06	International Cultural Understanding Classroom: Taiwan Session
6.	2016/07～2016/07	Taiwanese Cultural Understanding Workshop
7.	2012/07～2012/07	Session Chair for China and Taiwan Session and Volunteer
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■ Committee and society

1.	2011/06～2012/06	The 18th Annual North American Taiwan Studies Conference at Indiana University, Bloomington, USA Program Convener
2.	2010/06～2011/06	The 17th Annual North American Taiwan Studies Conference at the University of Pittsburgh, USA Committee Associate
3.	2009/06～2010/06	The 16th Annual North American Taiwan Studies Conference at California University, Berkeley, USA Program Convener

■ Researchmap researcher code

R000002905